Two Empresses, both alike in Dignity, Honor and Slaughter. War made them strong. Love made them immortal. “When Taboos and Skulls shatter/ Love is at its sweetest,” Wil'yam Shex'pir. Butch T'Pau Productions presents: taH pagh taHbe Translated for the first time from the Restored Klingon edition.
“Female Hellcats Ruling Their Men With Tire-Irons As Their Instruments of Passion” … back when you weren’t allowed to simply say, “pegging galore.” (Correction: there is no pegging in this movie.)
A massive silhouette in the mist, the Alien Queen glowers over her eggs like a great, glistening black insect-Buddha. … Her fanged head is an unimaginable horror. Her six limbs, the four arms and two powerful legs, are folded grotesquely over her distended abdomen. The egg-filled abdomen swells and swells into a great pulsing tubular sac, suspended from a lattice of pipes and conduits by a weblike membrane as if some vast coil of intestine were draped carelessly among the machinery. Ripley realizes she ducked under part of it a moment before. Inside the abdominal sac can be seen the forms of countless eggs, churning their way toward the pulsating ovipositor where they emerge glistening, to be picked up by Drones. The drones are tiny scuttling albino versions of the “warrior” aliens we have already seen. (… from,James Cameron’s First Draft of the Aliens script, 1985)
Recently I have been reflecting on how Hollywood has this horrible habit of not writing inspired or interesting roles for older actresses. For every Dame Judi Dench playing 007′s M there are a dozen Pam Griers and Nancy Kwans who’d amaze and delight us if given the chance.
I say all this because I am finishing up my own writing project, an updated version of Shakespeare’s Antony and Cleopatra, where the role of Antony will be played by one of my favorite actresses of all time, the Xenomorph Queen from the Alien franchise. True, she hasn’t worked in years, outside voice work and the odd cameo here or there, but she has such Diva Stage Presence that she steals every scene that she’s in. Critics will be talking about this production for years to come:
CLEOPATRA. So it should be, that none but Antony should conquer Antony, but woe ’tis so!
ANTONY. Screeeeeech!!
CLEOPATRA. I dare not, my dear love, I dare not …
It’s like the lines just write themselves (which they do, being a Shakespeare play and all.) All I need to do is find a rich Patron of the Arts who is really into the Bard and the Xenomorph and this will be Broadway gold!
to
plait your hair. Boundless hips like the earth,
you
had said. Lizzo-fierce. Big Grrl sexy.
You
can’t be a MILF without belly-birth
curves,
thighs like mountains. Before work, after
your
kids are at school, you’d drip, dark like plum
juice,
like my tongue slick between, like a prayer
down
for the Willendorf. Clits thrum, cunts cum,
you’d
said. Neighbors talked, “look at them, howling
on
her stoop, with some of the worst braided
cornrows
ever.” They scowled, “and at her age?”
Fierce
looks like many things, but fierce fucking
looks
like this. Beyond rude. Beyond wicked.
Beyond
the haters and all their daft rage.
][][
Notes:
Venus
of Willendorf is a 30,000 year old statue, unearthed in 1908, and
thought to be some sort of fertility idol by many male
archaeologists at the time due to its, “exaggerated,” sexual features,
and not, say, just simply erotic for desire’s own sake. This is why
so many archaeologists are horrible at their jobs. When I refer to
Lizzo as a, “goddess who walks among us,” what I mean is
that she is revolutionary in the deepest sense of that term. She is
giving voice and making change happen in a world toxic with
body-shaming and fatphobia. She tells us, “I love normalizing
the dimples in my butt or the lumps in my thighs or my back fat or my
stretch marks. I love normalizing my Black-ass elbows. I think it’s
beautiful.” Amen.